PRESS

• A Long and Bitter Suicide
• unknown
• Fuebruary 2007
• 
  
  Erinn Williams, Digging in the Dirt
  
  Erinn Williams' new album, Digging in the Dirt, is filled with subtle references to a myriad of influences. Listening to the cd, you'll be hit immediately with sounds familiar to fans of Portishead and Alison Goldfrapp. But at the same time, you'll start hearing the undertones put forth by guitar work that seems to be a nod in the direction of someone more like Jeff Buckley.
  The focus of the album is, of course, on Erinn Williams' vocal range. Her voice is soft, often whispery and layered, and is usually accompanied with a pitch that is several steps out of the reach of most vocalists. She uses this to her advantage every step of the way as she weaves depth into her songs with the guitar, a violin and the obligatory hint of electronica.
  The multiple vocal tracks found on many of the songs are what serve to bring the album together in a way that makes it worth listening to. This is executed at its best on the albums eighth track, farthest from me. Aside from being one of the most engaging instrumental pieces on the album, the vocals here are able to showcase exactly what Erinn Williams is good at. The melody in the beginning of the song is full of short quips and crisp annunciation. As the track moves along her voice swells with the music and there's a bit of spoken prose backing everything up.
  Digging in the Dirt is well worth listening to. Williams' voice is center stage throughout, but its ultimately her ability to make this work within its musical context that lets this album shine. You can preview some of the tracks or purchase the album at CD Baby.
  
  
  

• West Coast Performer Magazine
• Katie Burnett
• January 2007
• Erinn Williams. Digging in the Dirt
  Digging in the Dirt, the newest album by singer/songwriter Erinn Williams, is like the diary of every angst-ridden teen girl. With songs that cry out words of unrequited love, loneliness and pain, there is a verse for every Tori Amos moment one might have. Williams, a talented musician with a background in opera, has been called a "distant cousin of Kate Bush." Though only now getting major nods in the music industry, Williams has already had her music featured in independent films, national commercials for Virgin Mobile, and the television show The Shield. Williams' newest treasure, Digging in the Dirt, features her poetic voice backed by beautifully picked musicians. With songs like "Delicate" showcasing violinist Charlene Huang's haunting melodies, Williams sets the melancholy mood with every verse. She pushes the boundaries of what other musicians usually abide by to create songs that truly force someone in the audience to feel the emotions being created. Williams paints pictures with her powerfully written lyrics, such as those found in "Yellow Sky": "The needle forms from the clouds / And injects the world from the sky / My wings spread far above the earth / And my limbs with heaven intertwine." Every word weaves its way from her mouth around the hearts of her listeners and pulls them into the musical dream she has created. For fans of Fiona Apple, PJ Harvey and other angsty female musicians, this is a must-have. Erinn Williams is a soon-to-be star, and the sooner you jump on her bandwagon, the sooner you'll have some great music for every rainy day of your life. (Self-released) www.erinnwilliams.com
  
  

• Smother Magazine
• unknown
• March 2007
• Erinn Williams Digging In the Dirt
  Alternative pop songstress Erinn Williams knows that shes not your prototypical pop star. And she doesnt give a damn. While some will mutter Tori Amos under their breath as they listen to her dynamic album Digging In the Dirt, I hear more of a Bjork influencemostly due to their enigmatic songwriting and her underlying attitude. Her music definitely has the electronic flare ups that both of those aforementioned female artists utilize in their latest music. Erinn Williams is a strong singer/songwriter that whose background in opera translates into some of her dramatic overtures that she writes into her music. The best song on the album is the alluring drive of Farthest From Me with its up-tempo bass that builds into a crescendo amid her whispered laidback vocal attack.
  

• "The Delicacy of Rage" from LA Music Scene
• By Aaron Settipane
• Nov 2004
• The Delicacy of Rage
  
  The delicacy with which women project their rage and emotion is a significant leap from the masculine point of view. It is rare when any artist can channel her energy into a cohesive and understandable framework, but this is precisely what L.A. singer/songwriter Erinn Williams does.
  
  Her tunes have a distinctive edge to them. On "The Battle," Williams begins with sharp vocals akin to the Pretenders' Chrissie Hynde. Most of Williams' songs bridge the gap between retro and ultra modern with an operatic, angelic range riding on top of abrasive guitar-driven sounds.Many of her recorded moments recall Tori Amos and Fiona Apple, with a similar mix of traditional and avant garde.

• "Fiery Spirit" from The Missoulian
• By Erica Parfit
• Jan 2002
• Spunk, strength and originality are the powers that push Erinn Williams’ new CD "Revolution" into the land of "must buy." Williams, a Missoula native, has pursued her musical career with determination and skill. With a background in opera singing, and a fiery spirit that cascades out of her music, Williams leaves the mind reeling. There is nothing reserved about "Revolution." Each song springs out of its creator with a vitality that surrounds the listener in abundance.
  
  Led by Williams’ diverse voice, "Revolution" both rocks hard and floats mystically. She pushes herself to the hardest intensity then lifts into a higher register to a clear haunting sound. Musically, "Revolution" is well rounded. Williams uses all electric instruments in some songs, and acoustic in others. She incorporates electronica, and even covers a classical choral piece accompanied by her won lyrics and melody. This album is a courageous, straightforward piece of art. Anyone who enjoys Portishead, Patti Smith, Melissa Ferrick, Liz Phair, or P.J. Harvey, or just loves straight-up badass music - get this album.

• "Pipe Dreams" in Back Stage West
• By Nicole Kristal
• May 2002
• Singer/songwriter Erinn Williams has been singing for 12 years, and studied opera at the college level. After moving to L.A. Williams collaborated with a sound engineer to write songs. Since then she's honed her songwriting skills by layering poetic lyrics atop powerful guitar lines. Williams alternative rock sound could be likened to a cross between Tori Amos and P.J. Harvey. Williams has performed at such coveted venues as The Whiskey, The Roxy, and The Mint. The FX Network recently licensed one of her songs to appear on an episode of The Shield. Aside from promoting herself as a singer/songwriter, Williams has provided vocals for a number of sessions and a Coca-Cola Commercial.
  
  "One of the biggest challenges is keeping your head up because you have to be out performing," she said. "You constantly have to be out there to get feedback and inspiration for yourself - because, if not, you can easily disappear."